Butterfly, Death
by Gina Franco
Death of a Butterfly, oil/canvas, 7x8 feet
Above work Copyright Protected ,2011 (c) by Federico Correa. All Rights Reserved.


But a number of things remain
to be crossed. While your flesh
was in my mouth—while the flesh
was yet between their teeth—your flesh
between, in, through
my lips, I sought a word
with you to reconcile ends
to days, and hush to days; love
to days and grounds
to days; tales—gripped, ghostly—to days
I spend telling myself I can’t tell
and I can’t tell: what is it? Between us,
time, dreams: flight: the tongue
in the mouth curls: while,
while, parallel the while. While one

day the glass looks out on butterflies
again: some rash recurring plague—
black, red—flings its winged
feelered fingers against the backlit
screens of my house. It scratches, it grates,
in my sleep again. All driven
from the too open fields, one nervous
swarm homeward, all at once, one: all:

the underside of a single insect
caught in the sill where the sill
ends, collects, draws my eye
to his coiled stiff tongue. I
breath; it wags: ah, this is
not what I meant. I am proboscis,
sucking organ, nectar prick,   
at last, of course, spitting death,

for I am vain matter: On the inner angle
of the hind-wing is a well-marked
eyespot, and the hind-wing terminates
in a distinct “tail.” Too much my eyes,
having lost my tail, I am jealous
child. I pluck them from trees. I walk
my secret box—ghost leaves, fat
thoraces, monarchs—into my closet: veins,
sky inside them, inside the box
I close. 

I am old.
You no longer daunt me, wild old
man, my Swedenborg honey.
From the beginning pre-beginning,
oh state before states before birth
generation change challenge: nothing,
really,
I’m onto you. The status of the one—
Dovelike sat’st brooding on the vast
abyss and mad'st it pregnant—

"The status of the one is paradoxical and apparently contradictory: as the very principle of singleness, it has no plurality, no number."...........Paul de Man

I am jealous god unbelievably
sleeping. In the desert a hawk
swoops between my eyelids (closed
over my squat body) and eyes, and I
long to follow him over the hills
before me. I fly, helium, along cliff
faces, sand, across the Southwest
into the East, reckless, rash,
impatient, fearlessly crossing the ocean,
east, into the cities, into the broad
ways, and desert, seeking him
who my body craves, every minute
fearing loss, until I reached
for a boulder and clung: solidity, end
of dream, loss of flight, unless
rock floats too—forgetting him—
I woke in layers, first gripping
a mirror in sleep, then waking full,
I gripped my own chest.

I cross, I migrate. The blaze
by night is hysterical: red,
black : Correa paints his Death
of a Butterfly in the light
of my rooms. He paints
my fixtures lined with dust, skin,
paint chips, insect parts
and insect wholes, and I catch
sight of the mouth—I burnt
among them, and consumed them
that were in the uttermost parts—
the mouth, a very great plague,
in my mouth: vacuum.


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